Machines

The thing about machines versus technology is that machines are tools.  With technology, I’m the tool. (Still, when you need to hook up your new t.v. to your cable, satellite dish, game system, surround sound, AppleTV, and photo album, I’m the one to call.  Trust me, your old cables won’t work.)

Blog in Progress

Blog in Progress

I spent the summer playing with machines.  I took a letterpress class, in which I learned to typeset and use printing presses.  I made little books and lots of stationery. It was SO fun.  I got a knitting loom (good for afghans), and when that palled, I got a knitting machine (good for sweaters!).

VanderCook Printing Press in the SVA Print Shop

VanderCook Printing Press in the SVA Print Shop

My letterpress stationery says, "Words are for people who cannot draw."  It's meant to be ironic (stationery!), not insulting.

My letterpress stationery says, “Words are for people who cannot draw.” It’s meant to be ironic (stationery!), not insulting.

This knitting machine is completely manual.  And fast!

This knitting machine is completely manual. And fast!

I played with a manual typewriter and am still considering using it to type my Master’s thesis next year.  Why?  Because it requires skill, and typewritten documents show the weight of the hands that typed them.  Basically, they emboss the letters.  I love all of my Apple products, but they can’t emboss.  Why isn’t that in the commercials?

Manual typewriter from the 70s.  Courier font.  It does not get better than this.

Manual typewriter from the 70s. Courier font. It does not get better than this.

If a love of machines can be genetic, I’m pretty sure it runs in my family of engineers, wannabe engineers, shouldabeen engineers (like me), and teachers.  We all love tools.  I have an electric drill of which I’m particularly fond (doubles as a screwdriver) and a glue gun that comes in handy a little more often than one would expect.

I love all kinds of paper cutters – from scissors and hand-held die cuts to rolling blade cutters, mat cutters, cleaver cutters, and guillotine cutters.  I miss my power miter and table saws which still live in Connecticut because somehow they don’t quite fit into my apartment.  But I brought my sewing machine, which makes buttonholes!

The guillotine paper cutter can take hundreds of sheets at once and won't skew.

The guillotine paper cutter can take hundreds of sheets at once and won’t skew.

The first computer that my high school ever bought had its own room and was the size of a small bear.  A bear cub.  In order to program it, we had to write our code then type-punch it into paper tape which could be fed into the computer.  Some of those programs were pretty long, and one mistake ruined the tape.  Luckily I love to type.  And play the piano.  And do almost anything creative with my hands.

Maybe the reason I love machines better than current computers is because I understand how they work.  I mean, I can convert numbers into binary code, but I really have no idea how the computer reads binary or makes sense of it.  But give me an old-fashioned internal combustion engine and I can change the spark plugs, the air filter, the oil filter, and the brake fluid.  How do I know?  Because I used to do it all the time.  Nowadays I’m not sure that cars have any of those parts.  Fan belts?  I don’t know.  Everything is electronic.

What fun is that? (aside from power windows, power seats, and butt warmers).  I like to know how things work inside.  Except people.  Too gooey!

Take that, laser level!

Take that, laser level!

Art is full of tools – especially arcane hand tools.  Artists get to make stretcher bars, and weld sculptures, and cut glass.  We use staple guns and lost-wax casting and linen book-binding thread.  I don’t know why everyone isn’t an artist, but it’s okay if you’re not.  That just means more art (and more tools) for me.

Picasso Quiz

I was at MoMA yesterday with some out-of-town guests and every other New Yorker with his out-of town guests, when suddenly I found myself on a Picasso hunt.  It was right after I enjoyed a wonderful cheese-based lunch in the 5th floor cafe, which came right after I visited Andrew Wyeth’s Christina’s World and Balthus’ The Street while waiting for our table to be called.

I may have mentioned before that I get lost in museums.  You can hand me a map, but unless I walk around with my nose in it, using a highlighter, I’m still going to get lost. So it was that at last I found myself facing Picasso’s Three Musicians on one side of a doorway, and his Three Women at the Spring on the other side.

Three Musicians

Three Musicians

Three Women at the Spring

Three Women at the Spring

Most artists are lucky and talented if they can do one thing well.  My best thing is actually traditional sculpture, but it exacerbates arthritis in my right thumb to work in clay, so I mostly do my second best thing, which is draw.  Looking at Picasso’s two works I was stunned by his range and his bravery at trying new forms of expression.  The important thing to remember is that no matter how arrogant he seemed, he couldn’t know that these paintings would work while he was making them.  That’s the bravery part.  And his limitless imagination encouraged him to start new phases over and over again during his long life.

Girl Before a Mirror

Girl Before a Mirror

The next Picasso I found is one of my favorites (because of the color): Girl Before a Mirror.  Then quickly I ran into Seated Bather, one of the scariest.  I started to hunt Les Demoiselles d’Avignon, perhaps his most famous painting, but never did find it.  Remember: lost!

Seated Bather

Seated Bather

Les Demoiselles d'Avignon

Les Demoiselles d’Avignon

I used to say that I admired Picasso but wouldn’t want to live with most of his paintings. After yesterday I think I would like to live with all of his paintings.  I could admire the genius and forget the misogyny.  And I haven’t even mentioned Guernica.  It is one of my mantras that no one can make anyone else’s art.  It is too personal.  There will never be another Picasso.

Here’s the quiz.  Can you look at the five paintings shown here and tell in which order they were painted?  Answers are below, but don’t peek yet.

Don’t peek.

Don’t peek.

Don’t peek.

Okay:

1907     Les Demoiselles d’Avignon

1921     Three Musicians and Three Women at the Spring (the same year!)

1930     Seated Bather

1932     Girl Before a Mirror

Unless you already memorized these facts for a test, I bet you got them wrong.  I know I did.  What an amazing brain Picasso must have had to not only paint these pictures, but in this order.  He was ahead of his own time, and I think must still be ahead of mine as well.