Picasso Quiz

I was at MoMA yesterday with some out-of-town guests and every other New Yorker with his out-of town guests, when suddenly I found myself on a Picasso hunt.  It was right after I enjoyed a wonderful cheese-based lunch in the 5th floor cafe, which came right after I visited Andrew Wyeth’s Christina’s World and Balthus’ The Street while waiting for our table to be called.

I may have mentioned before that I get lost in museums.  You can hand me a map, but unless I walk around with my nose in it, using a highlighter, I’m still going to get lost. So it was that at last I found myself facing Picasso’s Three Musicians on one side of a doorway, and his Three Women at the Spring on the other side.

Three Musicians

Three Musicians

Three Women at the Spring

Three Women at the Spring

Most artists are lucky and talented if they can do one thing well.  My best thing is actually traditional sculpture, but it exacerbates arthritis in my right thumb to work in clay, so I mostly do my second best thing, which is draw.  Looking at Picasso’s two works I was stunned by his range and his bravery at trying new forms of expression.  The important thing to remember is that no matter how arrogant he seemed, he couldn’t know that these paintings would work while he was making them.  That’s the bravery part.  And his limitless imagination encouraged him to start new phases over and over again during his long life.

Girl Before a Mirror

Girl Before a Mirror

The next Picasso I found is one of my favorites (because of the color): Girl Before a Mirror.  Then quickly I ran into Seated Bather, one of the scariest.  I started to hunt Les Demoiselles d’Avignon, perhaps his most famous painting, but never did find it.  Remember: lost!

Seated Bather

Seated Bather

Les Demoiselles d'Avignon

Les Demoiselles d’Avignon

I used to say that I admired Picasso but wouldn’t want to live with most of his paintings. After yesterday I think I would like to live with all of his paintings.  I could admire the genius and forget the misogyny.  And I haven’t even mentioned Guernica.  It is one of my mantras that no one can make anyone else’s art.  It is too personal.  There will never be another Picasso.

Here’s the quiz.  Can you look at the five paintings shown here and tell in which order they were painted?  Answers are below, but don’t peek yet.

Don’t peek.

Don’t peek.

Don’t peek.

Okay:

1907     Les Demoiselles d’Avignon

1921     Three Musicians and Three Women at the Spring (the same year!)

1930     Seated Bather

1932     Girl Before a Mirror

Unless you already memorized these facts for a test, I bet you got them wrong.  I know I did.  What an amazing brain Picasso must have had to not only paint these pictures, but in this order.  He was ahead of his own time, and I think must still be ahead of mine as well.

 

Good Artists Borrow

David Hilliard at Yancey Richardson Gallery

David Hilliard at Yancey Richardson Gallery

I am an old-fashioned artist.  Or at least I always thought I was, toiling in obscurity, using archival materials, drawing and painting figuratively.  I disdained factory artists with their fabricators and color-matchers, endlessly hiring art-school graduates and stealing their souls to make soulless art.

Then I took a real look around my studio: digital camera for making camera lucida drawings; my paintings turned into fabrics (by fabricators!) and wallpapers; the new tripod I bought for my iPhone so that I can make video documentation of some of my works in process.  (Planning a big dish-breaking party this week – need shards for a new idea.)  Sometimes I use Sharpies and acrylic paint.  The horror!

Okay, so I’m not as pure as I’d liked to think.  And just like other artists, I don’t just use modern materials and methods, I also use modern ideas.  Especially ones gleaned from other artists.

Yes, apparently Picasso really did say, “Good artists borrow, great artists steal.”  That was hardly reassuring to Braque, I suppose, but it is the way of the art world.

So here are two artists, whose work I recently saw, and whose ideas I am borrowing.  Today.

David Hilliard’s amazing show The Tale is True is on display at Yancey Richardson Gallery through February 16th (535 W 22nd).  http://www.yanceyrichardson.com/current/.  I’m not usually much of a photography fan until I see photographs so beautiful, evocative and masterful that they stop me dead.  Go see the Hilliard show, and you’ll know what I mean.  Often presented in triptychs, you think at first that you’re just looking at pictures.  But look longer and you’ll see the overlap that implies time passing.  Then you’ll notice what is in focus and what is out of focus and you’ll know that yes, that’s how we all think, but Hilliard has actually managed to show it to us.  These are large photographs that you can get lost in, and you will.

What am I going to steal from him?  If I’m lucky, the subtlety of his distortion, and his sense of loneliness and family.

Enrico Riley at Giampietro Gallery

Enrico Riley at Giampietro Gallery

 

 

 

 

At the Metro Show Art Fair (which was terrific and sadly ran only from the 24th to the 27th) I came across a wonderful painter, Enrico Riley, at the booth of Giampietro Gallery of New Haven.  http://www.giampietrogallery.com/title.phpartistname=ENRICO%20RILEY&artistId=1012.  Riley’s paintings are reminiscent of Willem de Kooning’s figures and Jean-Michel Basquiat’s wild-child paintings.  They are simpler than both, sometimes more abstract, but sometimes less, with amazing color and line. They were just the reminder I needed that it was time for me to return to oil paint and oil crayons.

We all learn from each other, and I want to thank these two artists for pushing me into my studio this morning with new ideas and fresh enthusiasm.